Showing posts with label mystery. Show all posts
Showing posts with label mystery. Show all posts

Monday, 26 September 2016

Deadly Dames in Paris

 (Re-posted with permission from https://ayearofbooksblog.com with thanks to Susan Gibson)



The County of Brant Library (Paris Branch) hosts some terrific events for aspiring authors and invited the Deadly Dames to participate in a discussion about writing crime, mystery and suspense.  This quintet of authors form a writers group and share a love for their craft. The authors each gave a reading followed by a moderated discussion and a question and answer period.  These writers were all women who had experienced other careers and were examples that it was possible for the audience to meet goals to become authors.  The panel included:

  • Joan O’Callaghan –  A previous high school English teacher, Joan now instructs at the University of Toronto.  She is a freelance writer and has written fiction, short-stories  and a memoir about her late husband.
  • Melodie Campbell – Also known as the “Queen of Comedy” by the Toronto Sun, she read from the 4th book in her series, The Goddaughter Caper, which is set in Hamilton.  She got her start writing standup and currently teaches writing at Sheridan College.
  • Janet Bolin – Janet writes “cozy mysteries” and starts her writing by inventing “punny” titles like Seven Threadly Sins.  I had never heard of this genre which the books can be referred to as “cozies”.  Basically, these books are crime fiction that is often set in a  small town with sex and violence downplayed or treated with humour.
  • Catherine Astolfo – Catherine is a retired school principal who started writing at the age of 12 but professionally began by writing “how-to” manuals for teachers.  She  likes to combine mystery with social justice issues and has written novels with the setting of Brantford and Brant County.  I have purchased a copy of Sweet Karoline and am hoping to that my book club will invite her to discuss her novels.
  • Alison Bruce – This author has had many careers including copywriter, editor, graphic designer, comic store manager, small press publisher, webmaster and bookkeeper. She is the author of mystery, romantic suspense and historical western romance novels and is able to incorporate the research from editing non-fiction writing into her stories.  She strives to write stories that will have “re-readability”


My question to the panel was what they were all reading and how they balanced reading with their writing and while they all are avid readers, they all enjoy different books.
  • Melodie shared that she reads about 100 books a year by reading for an hour each night.  She had recently read The Nest and found it underwhelming (I certainly agree with that)!  She noted that she had done a casual survey in one of her classes where students read an average of 7 books a year – as a student, I had to stop reading for pleasure or I would have struggled to get my work done so I hope that this is the case and that these students will pick up their reading once they are finished their course.
  • Catherine also reads to go to sleep and has recently been reading the newest Louise Penny novel, A Great Reckoning.  Catherine is currently writing scripts and reading provides the inspiration to keep her motivated.
  • Joan takes an eclectic approach to her reading which she does during her 45 minute subway rides and before bed.  She has recently read The Princes of Ireland, The Camel Club and How to Grow a novel.
  • Alison described herself as a “binge reader” who reads most days and when a new author publishes, she tends to go back and read all of their work.  She loves to re-read and generally has at least 2 books on the go at a time.  She reads on her phone whenever there is time and enjoys audio-books and podcasts as she does her design work.
  • Janet reads for the Evergreen Awards (this was the theme for my August book club and the 2016 contest included Under the Visible Life, They Left us Everything and Birdie which I enjoyed reading).  Janet participates in a local library book club and is reading Still Life with Breadcrumbs.  She also reads to before bed and during the frequent power outages which are experienced in Port Burwell.
The group agreed that it is difficult to “read the same way” after being published.  The audience chuckled as they shared their intolerance for poor beginnings, spelling errors and bad grammar.  The all concurred that they are highly appreciative of well-crafted novels.
It was an interesting afternoon and these women form an active, positive and supportive writing group.  The audience left feeling that it is possible to write and publish a novel and could purchase autographed copies of their books.



Saturday, 4 June 2016

Guest Blogger Rosemary McCracken


Keep backstory way back!

Joan, it’s great to visit you on Day Four of my Raven Lake blog tour. I thought I’d share my views on backstory with your followers today. It’s a topic I feel strongly about, and I go over it thoroughly in the very first class of my course, How to Develop Your Novel, at Toronto’s George Brown College.

Creating a protagonist’s backstory—his or her “life story” before the novel opens—is essential for a writer in developing a novel. But determining how much of it to reveal to readers and how far along in the story to do so, is equally as important. As the word implies, backstory should be kept in the background.

My protagonist Pat Tierney had a life before readers met her in Safe Harbor, the first novel in my mystery series. She grew up in Montreal as Patty Kelleher, and her handsome older brother, Jon, was her idol. Her world was shattered when Jon was killed in a car crash in his final year of high school.

The Kelleher home was not a happy one after Jon’s death. Patty’s parents couldn’t recover from their loss or help Patty cope with her grief. When she left home to attend university in another city, she was determined to make a new start. She called herself Pat and found new circle of friends. One of them was Michael Tierney—confident, laid-back, easy on the eyes. Pat and Michael married the year after Pat finished university.

But readers need to know very little of this backstory. Backstory takes a story backward. Whether it is revealed through flashbacks, a character’s memories or exposition, backstory stops the story’s forward movement. It’s important to the writer because it deepens her understanding of her protagonist, and creates a fuller, more engaging character. But it’s far less important to readers.

As New York literary agent Donald Maass notes in The Breakout Novelist, the prime reason why novel manuscripts are rejected is failure to put the main conflict in place quickly enough, “usually due to setting up the story with backstory.”

In Safe Harbor, my first Pat Tierney mystery, readers learn at the outset when a stranger visits Pat in her office that Michael has been dead for four years and that he fathered a child with another woman a few years before his death. His infidelity is a big surprise to Pat, and that’s all readers need to know about him. Pat clearly has a problem on her hands—the first of many that she will face throughout the mystery.
Backstory that isn’t essential to the story you are telling shouldn’t be in it. Jon’s death has nothing to do with Safe Harbor’s storyline so I left it out. Michael’s infidelity is what concerns Pat.

In Black Water, the second mystery in the series, Pat goes off to cottage country north of Toronto to oversee the opening of a new branch of the investment firm she works for. A man has just been murdered, and Jamie Collins, Pat’s daughter’s sweetheart, is the prime suspect. Readers met Jamie in the previous book, but I don’t go into much of that. What’s important is that Jamie is in trouble and Pat’s daughter is counting on her mother to help.

Raven Lake opens a few months after the end of Black Water. Pat is still in cottage country, planning to spend a relaxing summer at a lake. Again, I kept backstory to an absolute minimum. I put Pat to work by handing her two problems. She learns that her teenage daughter is pregnant. And if that’s not enough for the woman to deal with, later that day a friend comes to her with his problem—because Pat’s the kind of person people come to for help. Bruce Stohl tells her that his mother has disappeared. And the next day, the elderly woman is found murdered.

Very little backstory, but huge problems that keep Pat constantly on the go.



Rosemary McCracken has worked on newspapers across Canada as a reporter, arts reviewer, editorial writer and editor. She is now a Toronto-based fiction writer and freelance journalist. Her first Pat Tierney mystery, Safe Harbor, was shortlisted for Britain’s Crime Writers’ Association’s Debut Dagger in 2010 and published by Imajin Books in 2012. It was followed by Black Water in 2013. “The Sweetheart Scamster,” a Pat Tierney mystery in the anthology Thirteen, was a finalist for a Derringer Award in 2014. Rosemary’s third Pat Tierney mystery, Raven Lake, has just been released! Jack Batten, the Toronto Star’s crime fiction reviewer, calls Pat “a hugely attractive sleuth figure.”

Follow Rosemary on:
Visit Rosemary’s website at http://www.rosemarymccracken.com.

Monday, 30 May 2016

Deadly Dames - An Evening With Women Who Kill


The following article has been re-blogged, with permission, from


Yesterday evening I had the pleasure of attending “It’s a Crime”, a panel discussion hosted by my local library featuring five women who kill for a living.  Fictionally, that is ... five female authors all of whom write in the mystery/thriller/crime genre.

These “Deadly Dames” led an informative and very lively discussion about what it means to be a female author in the world of crime fiction.  Their collective works range from cozy and historical mysteries through to a more humorous take on murder and include novels, short stories and “rapid reads” (novellas).  Needless to say, an impressive body of work spanning a wide range of reader interest and preferences.


One brave gentleman joined the otherwise completely female audience, which was a little smaller than anticipated, although I found this made the setting and the discussion seem more intimate – a chat rather than a presentation.

Obviously, the first question addressed was WHY? – Why do these women choose to write about murder and mayhem?  The unanimous answer … because its fun!  A few other good points were made as well; women are predominantly caretakers and often find themselves ruled by other people’s schedules – work, children, spouses and running a home. 

Writing crime fiction is a satisfying way of taking back some control and guiding an untenable situation to a satisfying end.  Ms. Bolin, being the cozy mystery representative on the panel stated that she enjoys writing her books because the settings were “somewhere you would want to live – well – except for the murder”.  I get that!  Sadly for fans of her “cozies” the recent acquisition of her publisher by another major publishing house is going to result in slowly phasing out that sub-genre. 

That revelation led to further discussion about the publishing industry in general and for women authors in particular. These ladies, while successful, made it sound like a labor of love, especially in light of the fact that female crime authors fight an uphill battle as far as getting mainstream recognition. 

One statistic discovered by “Sisters in Crime”, a support organization for female crime authors, revealed that while publication of the genre consists of an equal ratio of male to female authors the mainstream media (newspapers, magazines) tends to review the books with an 80:20 ratio in favor of male authors.  In the 1980’s there were virtually no mainstream reviews of female crime writers and it became one of the mandates of “Sisters in Crime” to increase exposure for female writers in the genre.  Despite those statistics it is interesting to note that research also shows that mystery/crime books appeal mostly to women and those female readers tend to be in the 40+ age range. 

That makes perfect sense to me.  I fall into that demographic and think by that time in their lives most women either have a mental “hit list” where the fantasy appeals (kidding – sort of) or as Ms. Astolfo pointed out, we enjoy the challenge of “solving the puzzle”.  Trying to beat the detective to the solution always makes for a fun past time.  It was also mentioned that mysteries can be a safety zone; when there is enough uncertainty, upheaval and “scares” in real life it is nice to escape into a world where you know the “frightening things” will be resolved.

No discussion of writing and publishing would be complete without bringing e-books and Amazon into the mix.  While the ladies did admit to the fact that those two entities combined have “destroyed” book pricing and decreased their income by close to 50% they were not completely negative about either recent phenom.  Both Amazon and e-books allow them to obtain an international audience and fan base that might be unachievable with solely print books.  It sounded a bit like a love/hate relationship.  With reference to self-publishing Ms. Bruce made the best comparison … when the printing press was invented it changed publishing too.  The monks wouldn’t painstakingly write out any old book but as long as the printer was paid he would typeset anything.  While self-publishing produces a glut in the market eventually the wheat separates from the chaff.

But on to a few of the lighter moments.

Have you ever included someone you know in one of your books?

I won’t reveal details (to protect the innocent) but it was a resounding “YES” by 4 of the ladies on the panel and the lone hold out seemed very quiet on the subject.  Hmmm?

What are the favorite and least favorite aspects of being a writer?

Again, all the ladies were in total agreement that the favorite aspect of writing was the creative process; coming up with an idea, building the world for the story and that moment when something in your brain clicks and it all comes together.  Ms. Campbell referred to it as her “turret time” … like sitting in the top of a tower until the idea comes together.  The least favorite?  Unanimous also – Marketing, promotion and social media.  Ms. O’Callaghan also added “writer’s block, distractions and procrastination”.

Where do ideas come from and how do you keep track of your ideas?

Notes … notebooks … notes … notebooks everywhere … bedside notebooks!  Obviously keeping notes and jotting things down while they’re top of mind is important.  Also mentioned were laptops, voice recorders, napkins in restaurants and bars but the most original goes to Ms. Campbell who “was driving down the Gardiner Expressway during rush hour and jotted down an sudden idea using eye liner on a paper napkin”.

I had my own little notebook and was taking notes but, as happens, I would get caught up in the conversation so any paraphrasing or credit errors are my own fault.  Humblest of apologies if I messed something up.

 And the ideas?  They can come from anywhere; a newspaper or magazine article, an overheard conversation or observing something at the grocery store.  Sometimes an idea or character can be gleamed from an offhand remark made by a family member.  At some time or another we all utter those words “I could kill you” and the writer just starts to wonder how that might be accomplished.

If you have read this far in this blog post then you must realize that I thoroughly enjoyed the evening.  The ladies were gracious with their time, willing to share their knowledge and experience in a relaxed and very often humorous manner.

They followed the panel discussion with a reading from one of their books/stories.  There is something wonderful about hearing an author read their own words, especially when they are also good readers (sorry Mr. King, I love you, but …)

While I have to admit that I have not read any of the books by these lady crime writers I do plan to rectify that as I left with a mini book haul and a little swag in the form of bookmarks.  The ladies very kindly signed all the books.




All those attending were given a “wanted poster” featuring a little blurb on each lady.  I don’t know who to credit with the design (Alison Bruce I think).  It was cute and I tried scanning it to include here but it didn’t scan very well on my ancient machine, so here is my pared-down version if you want to know more about each of these “Deadly Dames”.

CATHERINE ASTOLFO
www.catherineastolfo.com

Wanted for delving into the dark side of the human soul.  Do not be fooled by her pleasant demeanor and flowing prose.  Astolfo knows evil and writes about it.

Award-winning author of short stories, novels, novellas, and screenplays.





JANET BOLIN
www.threadvillemysteries.com

Specialty killer favoring weapons of mass crafting.  Bolin’s crimes involve needlework of all kinds, quirky characters and deadly puns.

Janet Bolin writes the Threadville Mystery Series – machine embroidery, murder, and mayhem in a village of sewing, quilting, yarn, and other crafty shops.  Threadville Mysteries have been nominated for Agatha and Bony Blithe Awards.


ALISON BRUCE
www.alisonbruce.ca

Known for consorting with law officers.  While working undercover as a crossing guard, Bruce plans murder, mayhem and the occasional horse chase.

Author of mystery, romantic suspense and historical western romance novels.  Three of Alison’s novels have been finalists for genre awards. (Deadly Season was nominated for a 2016 Arthur Ellis Award - AB)


MELODIE CAMPBELL
www.melodiecampbell.com

Mistress of the comic caper and able to leap small curbs in stiletto heels, Campbell is known for stealing art, shoes and numerous awards.

The Toronto Sun called her Canada’s “Queen of Comedy”.  Melodie Campbell has won The Derringer, The Arthur Ellis, and eight other awards for crime fiction.


JOAN O’CALLAGHAN
www.joanocallaghan.blogspot.ca

O’Callaghan has managed to maintain a low profile by authoring perfectly innocent nonfiction books as a cover for her nefarious crime sprees in short fiction.

Joan has had an active career in freelance writing, with over 30 educational publications to her credit.  Her short stories have been published in anthologies and online magazines.  In 2014, her flash fiction story, “Torch Song for Two Voices” won the Polar Expressions Publishing contest.



Saturday, 3 October 2015

8 Essentials for a 5-Star Anthology

Many thanks to Donna Carrick of Carrick Publishing for permission to repost her excellent article on the components of a winning anthology!

Throughout this writing and publishing journey, I've been known to wear a number of different hats.

Today, in honor of the Mesdames of Mayhem and in celebration of our soon-to-be released crime anthology: 13 O'Clock I'll slip on my purple chapeau.

While sporting my Carrick Publishing hat, I've managed to acquire my fair share of experience in producing short story collections and anthologies. Given the unique challenges they present and the special place they hold in the hearts of readers, anthologies require extensive care in the creative process.

Here are a few of the essential ingredients needed for crafting a killer anthology:

1- A seasoned and professional gathering of willing authors

In our 2013 crime anthology, Thirteen by the Mesdames of Mayhem (Carrick Publishing) we were fortunate to include an exceptional lineup of Award-winning authors:

Catherine Astolfo, Rosemary Aubert, Jane Petersen Burfield, M.H. Callway, Melodie Campbell, Donna Carrick, Vicki Delany, Catherine Dunphy, Rosemary McCracken, D.J. McIntosh, Lynne Murphy, Joan O’Callaghan, Sylvia Maultash Warsh

As a result, the anthology was the recipient of two nominations for the coveted Arthur Ellis Award 2014 for Best Short Story, as well as one Derringer Award nomination!

Arthur Ellis Nominations for Best Short Story: "Watermelon Weekend" by Donna Carrick and "The Emerald Skull" by Sylvia Maultash Warsh.

Derringer Award Nomination for Best Short Story: "The Sweetheart Scamster" by Rosemary McCracken.

2- A universally accessible theme

In our newest anthology, 13 O'Clock, our theme is that age-old thief, time.

In particular, we asked our authors to explore the inter-action between time and crime; to reflect upon crime throughout ages past, or in future eras, or how the passing of time either heals old wounds, or refreshes them to spur on evil deeds.

3- A collection of exceptional and entertaining stories

It should go without saying, but I'll say it anyway. As writers, we rely on readers. For this reason, we owe it to them to offer stories that are entertaining, exhilarating....hell, interesting!

In the 2014 anthology, World Enough and Crime (Carrick Publishing, in conjunction with the Facebook group Excerpt Flight Deck for readers and Authors) we asked our EFD authors to bring us their very best in short crime fiction.

The result? Another industry-acclaimed anthology by Carrick Publishing!

Arthur Ellis Nomination for Best Short Story: "Writer's Block", by Kevin Thornton.

Derringer Award Nomination for Best Short Story: "The Ultimate Mystery", by M.H. Callway.

4- An experienced, skilled project manager

Every project needs one. The Mesdames of Mayhem founder, author M.H. Callway (Windigo Fire, Seraphim Editions, 2014) has been at the helm every step of the way.

Madeleine (to her friends, among whom I'm blessed to count myself) keeps her eye on the ball at all times, never losing sight of the goal.

Mad, you're a true champion!

5- A dedicated editor and a professional copy-editor

In my dual capacities as author and publisher, I maintain a strict policy: All work must be thoroughly edited.

I've been lucky over the years to be able to fortify my own careful (though not flawless) eyes with those of my husband, Economist, author and seasoned editor Alex Carrick.

In the case of the Mesdames' crime anthologies, several of the Mesdames pitched in for a final proof-reading marathon.

We were fortunate, with our latest title 13 O'clock, to have the help of author and seasoned journalist/copy-editor Ed Piwowarczyk. His assistance was invaluable, and it shows in the polish of the stories within.

Authors, I cannot emphasize this enough: we are not working in a void, and no matter how well our hold may be on the language, we are not infallible. Please, give your readers the benefit of your best effort. Engage the help of a second, or even a third, set of professional eyes.

6- Original cover art that is both attractive and representational



7- A publisher who holds these authors and industry professionals in the highest regard, and is willing to invest the necessary time and effort to produce a quality reading experience

At Carrick Publishing, we're committed to helping Indie authors excel in their literary goals. From copy-editing, formatting and making your product sale-ready, we will guide you.

Our work for the Mesdames of Mayhem as well as for the Excerpt Flight Deck authors has been a source of great pride as well as an opportunity for continued growth and learning.

8- An innovative and consistent approach to marketing in a changing industry landscape

Whether you're an author or a publisher (or as many are these days, both), you need to broaden your understanding of what it means to earn readership.

The Mesdames of Mayhem have been blessed beyond gratitude to have the on-going help and support of dear friend and marketing wizard Joan O'Callaghan.

Joan's genuine love of people, of meeting them, getting to know them and talking about her equally passionate love of books has been the mainstay of our continued success.

We don't say it nearly often enough, but thank you, Joan.

The Mesdames of Mayhem are 16 friends who share a common bond: their love of literature in general, and crime genre in particular. Look for us at events in southern Ontario, and be sure to read our work, available at fine retailers everywhere!